Hat Shop in Turn-of-the-Century Doylestown

My illustration can be seen at the Central Bucks Chamber of Commerce Bucks Fever Art Exhibition which opens Thursday, November 10 from 5 to 7 pm at the Mercantile in Doylestown, PA.

There’s a building in the middle of Doylestown, at the corner of Main St. and Shewell Ave., that’s been scaffolded for months – it’s being renovated into lavish condos, with a craft brewery on the bottom floor. But if you’d walked down Main Street in 1900 you’d have noted the latest women’s fashions in the elegant semi-circular second floor window of that same building, because that floor was home to Mrs.Ivins’ millinery shop.

The Doylestown Historical Society asked me to envision a typical day in Mrs. Ivins’ shop, with hats, customers and that lovely Victorian arched window. I had a wonderful time researching and creating this scene and I’m pleased to say that my original illustration will be in the Central Bucks Chamber of Commerce Bucks Fever Art Exhibit, which opens to the public tomorrow, Thursday, November 10 with a reception from 5 to 7 pm at the Mercantile in the Doylestown Shopping Center.

Kurt Spence of the DHS sent me excellent photo references, courtesy of the Doylestown Historical Society, to begin sketching for the scene. Some were photos of the outside of the building from the turn of the century, some of ladies’ dress and hat fashions, and some from the interiors of Victorian hat shops.

I boiled down my process of creating this historical scene to three steps: research, distillation, and reintroducing selected detail. The research came in studying these photos, pictures from costume books I have, and information on the internet. I started sketching by creating the empty shop room with little detail, just to get the space correct. I sketched some figures separately, to drop into the scene. This was par0r of the ‘distillation’ – simplifying the elements to get a clear composition

Here is the room with the figures dropped in –

At this point I showed the sketch to Kurt, who, as a retired contractor, knows a lot about architecture and buildings, and he gave me suggestions which I was happy to revise. I next did a tonal sketch next to help with simplifying the light and dark areas. This would be a fairly complex drawing when finished, so thinking tonally helped organize shapes so the viewer could ‘read’ the picture more easily.

The DHS asked for this picture to be in color, but of course all the photo reference I had from the urn of the century was black/white, so I had to look at painters of the era to get a feel for the colors. I found this lovely piece of an interior by William Merritt Chase, painted in 1895. I liked the teal, rose and muted yellows and creams, and saw those colors repeated in other paintings of the era, and felt I’d found a good palette.

I did a rough color sketch, using colored pencils over a scan of my line sketch –

At this point I could start adding ‘selective detail’ – detail that would give the flavor of the era but not confuse the viewer’s eye too much. I could add pattern – the Victorians loved patterns of course – to the the carpet and the wallpaper, as long as it was low contrast. I added the bold wallpaper border near the ceiling because there was not much going on in the top third of the scene, and used my chosen teal, rose and yellow in that border.

I wanted to make this scene tied specifically to my hometown, so out the window one can see the Civil War Monument and the Intelligencer building, two landmarks that can be seen from this corner in Doylestown.

After this stage I transferred the drawing to illustration board, outlined using prisma pencil, and painted it in using acrylic paint washes. The finished piece –

The public is welcome to attend the Central Bucks Chamber show to see my piece and many other works of art. The opening reception is Thursday Nov. 10 from 5 to 7 pm at the Mercantile in Doylestown, with light refreshments and music on tap. The exhibit continues until November 20.

Blaine’s Podcast

I was on Blaine Greenfield’s podcast last night – a delight all around, he’s the Ed Sullivan of the Asheville, NC area!

I fumbled a bit getting my artwork to screenshare, so I’m posting a pdf of some of my New Yorker published-and-rejected cartoons below, so you all can take the full tour I was going to give Blaine. Please scroll through!

(If they appear too small to read, try clicking on the three horizontal lines at top left. All artwork is (c) Pat Achilles, but the first four are (c) The New Yorker.)

Now below is the slideshow I was going to show Blaine of my children’s book illustration, and some illustrations for adult books too. Included are illustrations from The Upside-Down Gardener, Grand Slam Birthday and the Adventures of the Poodle Posse series by Chrysa Smith; Robbie to the Rescue by Laurie Nowlan; Let’s Visit New Hope, by Gayle Goodman and Roy Ziegler; The Book of Jims and Bills! Bills! Bills! by Jim Miller (they are fun books all about famous people thru history named Jim/James or William/Bill, fun to give as a gift to friends of those names), Leading Team Members with Super Powers by Thomas Edwards (a great informational book about working and training neurodiverse employees), and A Woman’s Book of Dirty Words by Mary Fran Bontempo. If you want to purchase any, I believe they are all available on Amazon. (All artwork is (c) Pat Achilles)

This slideshow below shows some of my greeting cards for Eagle Scout events and for the holidays – some are available now on my Etsy shop (click HERE) and some I hope to post there soon. (All artwork is (c) Pat Achilles)

Below are some of the cards I’ve drawn, which Blaine enjoys so much, for Kohlhepp Investment Advisors. (All artwork is (c) Pat Achilles)

.

And finally here are my illustrations for the Bucks County Gilbert & Sullivan Society, a wonderful group of devotees to some of the loveliest, and funniest, operettas ever written. (All artwork is (c) Pat Achilles)

Now you have seen all the things I meant to show Blaine – thanks so much for taking a look. Here’s the link to the half hour of me with Blaine: go to https://www.blainesworld.net/ and look for the podcast dated 11.8.2022 And thanks again to Blaine!

–Pat

Vivaldi’s ‘The Four Seasons’ – Porcine Version

I have once again dreamed up a humorous setting for the Lenape Chamber Ensemble‘s Children’s Concert, which is coming up Saturday, November 12 at Delaware Valley University. The Lenape Chamber Ensemble is a group of world-class musicians who twice a year host a delightful hour of playful information and performance for kids and their parents, on the weekend when they also perform magnificent concerts for adults at other times and venues. Their talent is sublime, but for their children’s concert I am permitted to draw a light-hearted fantasy of a scene for a poster, just for entertainment’s sake. For this one, I chose pigs as my musicians.

The concert November 12th features the most popular of Vivaldi’s works, The Four Seasons, as well as works by J. S. Bach and Jean-Marie Leclair. I felt a dance ensemble might be fun to accompany my little pigs’ musical performance, so I drew an audience of piglets admiring the dancers representing the seasons, while their accompanists play behind them.

I first sketched pigs in different music & dance positions –

  • and then placed them within the space I have on the flyer, hand-lettering the info above and below them. The final poster is below – I also looked up the names the the seasonal movements of the Vivaldi. I’m hoping some enterprising children might learn a little French in the bargain! I highly recommend this concert for kids & parents alike, it’s really a delightful hour of music and fun!

My Illustrations for the Children’s Book “A Grand Slam Birthday”

Now that the Phillies are in the World Series, it’s definitely time to write about a new kids’ book by my friend, author Chrysa Smith, and illustrated by me – A Grand Slam Birthday. Chrysa brings back the lead character from her book The Upside-Down Gardener, Dory Oslo, for a delightful story that makes a perfect birthday party gift for youngsters – or a holiday gift, since that season is coming up too!

Chrysa describes the plot like this: When Dory Oslo arrives at her cousin’s birthday party, nobody looks like they’re having too much fun. In fact, the kids are lined up against the wall. But Dory turns up the excitement once again as her cousin opens her gift and finds something that turns the party inside-out and into something quite unexpected—and FUN! Dory, her cousin Izzy, and their friends learn a thing or two about having fun, trying new things, and having confidence in yourself.

In illustrating Grand Slam Birthday I started with pencil sketching the whole book as usual, for example these double-page spreads :

Once Chrysa suggested adjustments to the sketches, I transferred the revised drawings to illustration board and started drawing and painting finished artwork with acrylic paint washes. Because of the birthday party theme and the surprise gift involved, it made for some colorful pages:

As you may have guessed, an impromptu baseball game figures into this story – Dory after all is a tomboy! It’s a fun story that also helps kids think differently about trying something they may think they’re “not good at.”

You can order A Grand Slam Birthday online from Chrysa HERE – and if your child’s school would like to have Chrysa do an author visit (in person or through zoom), she has some great programs that help teach and inspire the kids to write on their own. Send Chrysa a message to inquire about how she can spark the imagination in your students! You can also meet her in person, selling this and her other books, at the Warminster Kris Kringle Holiday Market this coming Saturday, Nov 5 from 9:00 AM – 12:30 PM, at 300 Veterans Way, Warminster, PA.

Drawing for a Save-the-Date Card

A Mother of the Bride asked me to draw the lovely exterior of her daughter’s wedding venue for the Save-the-Date card. The venue will be The VanLandingham Estate in Charlotte, NC, and it’s a stunning building. The client showed me several other samples of cards with venues drawn in simple line and I loved the classic, elegant look of them.

She sent me a perfect head-on photo of the building and I drew it first in pencil.

A graceful and dignified mansion, is it not? After the ok from the client I inked it in cleanly with black ink and sent it off.

Just a few days ago the Mother of the Bride sent me the finished card, beautifully printed on heavy rag paper. The letterpress printing was done by Scott McClelland, with assistance from Bo, at Paper Meets Press in Glenside, PA. Letterpress is a traditional printing technique that creates a relief of the type and image in the paper – you can feel the depression if you run your fingers across the text. Some of the impression is visible in the closeup below.

I think the finished card is a very stylish and appropriate look for what I’m sure will be an elegant wedding.

My Illustration for a Business Birthday E-Card

I drew this car parade birthday illustration for Furia Rubel Communications last year. They originated the idea and needed me to make it into an image for them to send out with their best wishes to their clients. I think it’s a great way to make a touchpoint with each client – a beneficial marketing strategy – and remind their clients of the whole team of people working for their interests. I have often drawn the FRC team for projects in the past.

I started with a pencil sketch of the whole train of cars and caricatures of each FRC member.

When that was ok’d I printed out a copy and did a rough color sketch with markers and colored pencils. The great thing about sending out ecards is, there is no more expense in doing full color over black and white. On computer screens, color is free!

I decided to colorize this illustration using digital color, so the colors would match those in the FRC logo and other hues on their website. I drew each carload in black line, then filled it in with digital color.

After drawing and colorizing each piece of the picture this way I assembled them onto one page and added the banner, balloons and honking horns.

Another advantage of assembling this piece digitally is that if employees change from year to year, I can adjust the picture accordingly. And in fact, this year I was asked to add new team members and remove some who have moved on; so with some tweaks Furia Rubel will have an updated ecard showing their full team for 2022.

Portrait of a Charming Little Home in Vermont

A friend commissioned me to paint her daughter’s adorable first home, as a gift and celebration of this milestone. I waited for a while so they could send me some photos of full trees and flowers blooming around the house – Vermont’s spring comes quite a bit later than it does here!

I started with a pencil sketch. My client also sent photos of her daughter’s cat, so I pencilled him in on the front porch.

After some more recent photos were sent I was able to add newly-planted flowers to the color sketch.

And after approval from my client I transferred the drawing to illustration board and painted it using a combination of prisma pencils and acrylic paint washes.

My Pirates of Penzance Artwork in Australia

I’m always delighted to get requests from outside the US for my artwork.

I’ve had Gilbert & Sullivan companies in the UK request my G&S illustrations for their production posters, a woman in France purchased my ‘fox playing the cello’ notecards for her cello-playing daughter, and a music school in Switzerland used my sketch of a flutist for a concert program.

Last week I received an email from the Kelvin Grove Wind Orchestra in Brisbane, Australia – my first request from the southern hemisphere! They have a concert next month and will perform music to lift people’s spirits, so they’ve chosen some from the Gilbert & Sullivan operetta The Pirates of Penzance. They asked if they could project my artwork from the Bucks County Gilbert & Sullivan Society’s production on a screen while the orchestra plays.

It’s gratifying to know my art will be seen by audiences in Australia! My illustration is below – and if you want to enjoy the magnificent buoyancy that’s the hallmark of Gilbert & Sullivan music, listen to the Academy of St. Martin in the Fields play the Pirates overture here.

Graphic Musical Design for Doylestown Symphonic Winds

The Doylestown Symphonic Winds is a wonderful conglomeration of terrific musicians who perform annually to benefit a music scholarship for talented young musicians. I go to their concert every year and love the music – so much brass!

I’ve done a number of posters for them, and this year their conductor Gina Lenox asked for something graphic. There isn’t anything much more graphic and easily recognizable than silhouettes of various horns, drums and pipes, so I had fun playing with instruments, blocks of color and hearts in this one. I felt a nice contrast would be to hand-letter the title in brush and ink.

I highly recommend this concert, they do a mix of traditional and contemporary composers but it’s always punchy music with a lot of personality – just like the brass section!

Illustration for Liebovar, a Children’s Opera

I have worked with composer and librettist Misha Dutka before, illustrating the poster for his children’s opera The Little Red Lighthouse and the Great Gray Bridge. Recently Boheme Opera NJ performed a beautiful concert version of Misha’s full length opera Liebovar, or The Little Blind Girl, at the 1867 Sanctuary in New Jersey. Liebovar‘s plot has an opera-within-an-opera, and now Delaware Valley Opera Company plans to mount the short children’s opera that is within the larger story of Liebovar, in the fall. Misha asked me to do an illustration to advertise this performance.

Misha explained that the children’s opera involves the same young girl I depicted in the art for the full length work, a blind girl in a WWII concentration camp –

– but in this fairy-tale-type opera she is a poor peasant girl wandering through the woods, and befriended by various animals – a squirrel, a turtle, a fawn and a duckling. As soon as he described this I sketched a rough idea quickly, which he then approved:

I tightened up the pencil drawing –

and did a colored pencil color sketch first –

and then the final painting, in acrylic washes over prisma pencil, on illustration board. Below is the poster with text added for the event.