I’m reading the classic children’s story by Kenneth Grahame The Wind in the Willows, and feel compelled to sketch the book’s abundantly delightful characters. Here’s pencil sketches of Rat busily composing his poetry, and Badger leading Mole and Rat through his warren, after their near-disaster in the late night snowstorm.
More sketches to come from the thoroughly charming world of Mr. Grahame.
I illustrated New Year’s cards for two businesses to mail to their clients, and both asked for caricatures of their staff in the artwork. These businesses feel it is a nice way for their customers to put a face to the voice they hear on the phone when they call; and since the cards are drawn, they are a bit more fun and even whimsical than a photo would be. (I’ve also gotten comments that my drawings make people look younger than they are in real life, which everybody likes!)
The first was for LifeTime Asset Management in Raleigh, NC. They wanted their staff toasting the New Year at a party, so i first pencilled in a rough composition of the 9 figures raiding glasses.
I tightened that up and drew specific faces in, and the company logo on the balloons, for a better rough.
I printed off a copy of that & colored it in roughly for the color comp, which I sent them for approval.
Once I got the ok I traced the drawing onto illustration board and started painting it in – I snapped this photo below while I was still laying in the basic colors.
And here is the completed art, with celebratory confetti added in, which appeared on the front of their card.
The second New Years card was for Kohlhepp Investment Advisors here in PA. They are a family-run business and everyone has a great sense of humor – if you look at past Kohlhepp cards on my blog you’ll see they’ve had me draw the team in many funny, unique situations. This year did not disappoint – with the bullish economy they decided on the great concept of the whole team running with the bulls! I sent them two very rough sketches, asking if the two women in the firm want to be right in there with the bulls or not – they answered of course they do!
I tightened up the drawing –
and did a rough color sketch
They requested Ed Sr. to have a more active pose on the bull, so I changed that, then drew it on illustration board in prisma pencil, painted in acrylic washes, and added some dust clouds in chalk, for the finished art.
My most recent illustration for Lodging Magazine was for an article on how to interpret and tweak a hotel’s website statistics to convert more online viewers into customers.
This was assigned right before I left for a vacation, with finished art due right after I got back. I had to draw a very quick idea to get approved before I left; I thought of people reading a website and walking right through a door on the screen to go into the hotel, and luckily the editors approved.
I added the web technicians under the laptop, sliding around on those dollies that car mechanics use under cars, to indicate the tinkering that might go on to improve the site.
Because of the tight schedule I only had time to tighten up the drawing this weekend and go right to the finish – no color sketch this time, so I kept the colors to a limited palette.
When my husband and I used to visit our son at his college in Washington, DC, the hotel we always stayed at had a courtesy van to take lodgers to the metro stop. We always thought it funny that we never once were able to catch that van at the times it ran, we were always too early or too late. We thought, when did they run it, like 2 hours a day?
I think the latest article I illustrated for Lodging Magazine explained the reason for this. The piece is about courtesy vans and what an enormous liability they are for hotels – most have a high center of gravity so they can unfortunately roll over easily, and if involved in an accident, there could be multiple injuries since they usually seat 10 or more people. The article suggests some strategies to make the vans less hazardous for hotels to offer, but the general message of the article seems to be, vans really are too expensive to keep safe, so hotels should consider discontinuing this amenity.
The editor gave me a good suggestion for the illustration: to show passengers about to board a hotel van, but each is protected by a big bubble. I took it a bit farther, wrapping the passengers in bubble wrap, wearing helmets, and the van has all sorts of Caution Tape and flashing lights to make it unmissable to other traffic. I made a rough sketch –
Then I tightened that up, and made a rough color sketch from a printout of it –
And then drew it with black prisma pencil and painted it with acrylic washes for the finish.
Getting a jump on next spring, the Lenape Chamber Ensemble asked me to draw up the flyer for their March Children’s Concert.
The Schubert piece that the Ensemble will play is entitled Rosamunde, which refers to the legend of a princess who lives for years disguised as a shepherdess. I decided to base my drawing on that, so I sketched some sheep playing the various instruments needed –
and shepherdess Rosamunde with a crown of flowers and sitting on a tree-throne listening on.
And then I combined them into the layout for the flyer, below. I do recommend these concerts, they are fun for kids and adults alike!
My friend Diane Crews founded and runs Tafe (Theater Arts for Everyone) in York, PA, which produces theater for families and for people of all ages and abilities. Diane asked me to create an illustration to promote her show that travels for various school performances in the area, The Princess and the Pauper, which she adapted from Mark Twain’s classic
I sketched a first quick design in pencil –
And after getting some input from Diane I changed the expressions a bit and felt it would read better as a contained logo if the title were enclosed in an arched gateway –
And with her approval, I drew & painted it on illustration board for the finish.
Sometimes articles that deal with the specific concerns of a complicated industry are tricky to illustrate; and that was my experience with the current article given to me, dealing with the complexities of hotel brands that develop mixed-use buildings, such as a hotel that has both rental units and condos.
The article went into detail about the division of operating costs and maintenance, and compliance with project standards – not the most scintillating ideas to draw! I thought the idea of a mixed-use building in itself might be enough to enhance the rather dry material, so I submitted one rough pencil sketch idea:
One side of the building has an ocean shore in the background with a lighthouse, hang-glider and jet-skier, and lots of people entering in beachware and tourist clothing. The other side has a city background with a playground for children, and into that side are pouring families with shopping bags and business people returning from work. The editor liked it so I drew the sketch tighter:
and then did a quick color sketch with colored pencils –
The color sketch made the painting of the finish go much faster since it let me plot out the 3 or 4 main colors for the palette. The finish is below, drawn in black prisma and painted in acrylic washes.