I am quite impressed with the variety of activities a new Montessori school offers its little students – Maria’s House, a traditional Montessori, opened in the fall in my hometown area. They asked me to draw a range of experiences that will be available in their summer session, from fencing to equestrian pursuits.
The summer session is a ‘bridge’ for the students between the end of this school year and the start of the next, so it is titled Ponte Montessori.
I am told that the art will be used in the advertisement below, and published in our local papers as well as the Philadelphia Inquirer, Bucks County Magazine and the New York Times. Included is another drawing I made of the lovely main house of the school.
The latest article given to me by the editor of Lodging Magazine involves manager tips for making a workplace a good environment for employee mental health. The key was offering support to workers in terms of acknowledging outstanding work, explaining employee goals in a clear way and setting an example for employees to model. I came up with an arched bridge as being the means of support, with the recommended action points spelled out on the pillars.
First I drew a pencil sketch with loose tones blocked in –
With the idea approved, I traced the drawing onto illustration board, outlined in prisma pencil and painted it with acrylic washes, using the sketch as reference to keep the values consistent.
My latest illustration for an instructive article for the hotel industry’s Lodging Magazine involved rating the entire guest experience at a hotel – at least that’s my understanding, since I did not get to read this article. The editorial staff was running behind on deadlines, so they just gave me an idea to draw & I did it! Sometimes that’s how publishing goes.
They asked for a drawing showing the process of a hotel customer booking a room through her smartphone, receiving confirmation, arriving at the front desk, chatting with hotel staff in the room, and then writing a review of her experience. I started with a rough pencil sketch –
and tightened it up to show the editor –
She approved this and I drew it on coldpress illustration board in prisma pencil, then painted it with acrylic washes. The finished art is below.
A while back I designed a business brand for Jim Hardy, whose company was called “James Hardy and the Carpet Guys,” and performed carpet cleaning for businesses and homes. Jim’s business has expanded but he’s condensing his company name to just “The Carpet Guys”; so he requested a new logo that would work better on his vans as well as business cards.
I designed two logos, keeping some colors and elements of the old one to keep some continuity, and trying different typefaces on them.
Jim liked the top left design and requested a few changes. I gave him some variations from which to choose.
Jim chose the second design, and we are now on our way to creating new business cards for some of the salespeople.
I’m looking forward to speaking to the members of the North Penn Arts Alliance on Wednesday February 6, starting at 7:00 PM. The group meets at the William Trego Arts Center, 125 N Main Street in North Wales, PA 19454. The Trego Center is in an old Church with a parking lot behind the church off Second Street.
I’m getting a slide show together of my children’s book illustrations and gag cartoons, and the public is invited to this free talk. See you there!
Addendum: If you plan to come tonight to my talk, and have not been to the Trego Art Center before – it is located in a building attached to St. Luke’s United Church of Christ, 125 N. Main St., North Wales. The easiest way to get into the Center is, coming down N. Main St., turn east on E. Walnut St. , go one block and turn left onto N. 2nd St. About halfway down that (1-way) street you will see the back of a large church on the left; park in that parking lot, and the modern-looking addition attached to the right side of the church is the entrance into the Trego Center. Go in the door and to the right and the room is the 2nd on the left.
My most recent illustration for Lodging Magazine accompanied another one of those hard-to-picture articles – it spoke about a lot of thought processes and planning but few concrete images presented themselves. The article explained how hotel management should handle an employee who had been injured on the job and was now returning to work, often in a diminished capacity until the employee was fully recovered.
I’ve found that when the subject matter is rather heavy and step-by-step, sometimes the way to make a more lighthearted illustration is to think in terms of a board game. I used several of the many tips in the article to construct a game with a manager driving an employee on the journey back to full capacity. First a rough doodle to lay out the path –
which I refined a bit, then transferred to illustration board –
and then painted in bright acrylic washes for the finished art.
I’ve been drawing cartoons related to Thanksgiving for a number of years for Proactive Performance, often about turkeys, sometimes Pilgrims, but always with some touch of business jargon involved. This past Thanksgiving was no exception, as I moved from the first quick sketch –
to a tighter version –
to the finished cartoon for the card, painted in the classic black and white New Yorker style. Inside the card, Proactive Performance President Jim Shute thanks his clients, associates and colleagues for their business and wishes them the best for the holidays. I always enjoy doing Jim’s card since it blends humor with its sincere goodwill.