I’ve drawn black and white gag cartoons for a number of businesses to create memorable chuckles for their clients – you can see more on my Business Illustrations page HERE.
The fellows who run the terrific illustration conference Artistacon, Chris Kotsakis and Shaun Stipick, are creating a video archive of illustrator interviews to continue their mission of inspiring and mentoring illustrative art. These video interviews are tied to their ArtistaList project, an helpful online directory of working illustrators. They have asked me to participate and so I’m very happy to announce that the three of us will do a Facebook live stream about my artwork tomorrow, Thursday May 28 starting at 10 a.m.; and another live interview following just after that one, at around 10:45 a.m. on Twitch. I hope you’ll join us! And as soon as it’s ready I’ll post a link to the recorded interview. Here’s the info:
The Doylestown Historical Society helps to preserve many aspects of my hometown’s past, with speakers, tours and printed publications, and a very important part of that mission involves researching the historically significant buildings in this town and nearby communities. I was recently asked to develop a sketch of a building in the borough, which is no longer standing today – a shoemaker’s shop and home.
Adam Dick and his wife, originally from Germany, had six children born in Doylestown and by 1870 they were living in the borough, in a building whose left half housed their boot and shoe shop. Old maps show the house on the corner of E. State and Pine Street with a one story front porch on the shoe shop side. By 1891 the two-story wood frame house now had a one story back porch with a tin roof. The Historical Society’s researcher is Kurt Spence, who has restored many historic homes, and he sent me part of an old lithograph of the town with this tiny representation of the house from the rear –
I started with a rough sketch of the basic shape of the house, with questions for Kurt.
Happily Kurt has the building experience that I lack, and so with his corrections I replaced the front porch gable with a shed roof, and added a roof gable to the house side of the building, for the second sketch. But I still had some questions.
Finally with some finished suggestions from Kurt I was able to render the version below. It’s unfortunate that the present site is now a parking lot, but we can at least imagine a fairly close version of what our borough boot and shoe shop may have looked like in the late 19th century.
The topic of my monthly illustration for Lodging Magazine was updated to reflect the current health issue around the world, the corona virus.
While I did not get to read the latest article, I was briefed by the editor that the story would explain how a hotel can manage during a pandemic, including how to keep hotels clean, how to manage with a skeleton crew, what to do if a guest is sick, and what to do if the supply chain breaks down. She suggested a war room type of scene.
I started that with a rough pencil sketch –
and added tones to suggest the dramatic lighting of a war room –
The editor approved so I did a quick color sketch by printing out a copy of the sketch & using colored pencils.
After this I transferred the drawing to illustration board, redrew outlines in prisma pencil, and painted it in with acrylic washes. The finished art is below.
The Doylestown Historical Society helps to preserve many aspects of my hometown’s past, with speakers, tours and printed publications, and a very important part of that mission involves researching the historically significant buildings in this town and nearby communities.
I was asked to develop a sketch of one building in the borough, which today houses a law firm and is a lovely two-and-a-half story Second Empire structure, pictured below.
However, this is not what it looked like in 1834 when it was first constructed. The original house, built for Dr. Hugh Meredith, was described as “a large two-story brick house on Court Street fronting the public square. A wood frame office was attached to the west side of the house” which was used for his medical office. The house had a stone foundation.
After the Civil War, the house was enlarged along with stucco over the brick and a new Mansard roof was installed by workmen for attorney George Lear. At the time it was described as the handsomest residence in the borough.
Kurt Spence, a contractor with a love of old buildings, gave me instructions on what the house probably looked like in its first iteration. He suggested three windows on the second floor instead of the current five; two windows on the ground floor, the doorway on the right, and brick walls. I started with this rough pencil sketch.
Once Kurt saw this he could recommend changes based on his knowledge of construction. He said the two dormers in the roof would have been located in the spaces between the three windows; a double doorway for the main entrance would have been more likely, and a stone foundation would have shown below the bricks, about level with the door stoop. The windows would have had working shutters, and the panes would have been six over six at that time, because large panes of glass were not readily available. He recommended a chimney at the gable end between the two structures, so fireplaces could have heated those central rooms. And he suggested a wrought iron fence enclosing the yard.
My finished sketch, says Kurt, is a pretty good representation of what the house would have looked like for Dr. Meredith in the early 19th century. And I’m pleased to know more about the history of my town!
Jim Shute of ProActive Performance sends his cards to clients for the Thanksgiving holiday – he feels it’s a perfectly appropriate time to send his thanks to customers for their support all year, and also he knows this way his card will arrive on his clients’ desks well before the Christmas card rush and stand out a bit. Jim always gives me some themes and buzzwords that are current in his business, and together we create a concept & caption. This year’s gag involved an economic term set to the scene of the first Thanksgiving:
I do a New Year’s postcard for Mary Lennon of Lennon’s Small Jobs, and have drawn penguin gags for her company for a number of years. The gag always refers to one of the many common tasks she is called to do in her home maintenance business.
It’s a nice way to remind her customers that is is open for business, and the postcard format makes it easy for her clients to tape it to the refrigerator so her phone number is always handy. And black/white postcards are relatively inexpensive to print, so it makes an affordable and effective promotional item.
I illustrated New Year’s cards for two businesses to mail to their clients, and both asked for caricatures of their staff in the artwork. These businesses feel it is a nice way for their customers to put a face to the voice they hear on the phone when they call; and since the cards are drawn, they are a bit more fun and even whimsical than a photo would be. (I’ve also gotten comments that my drawings make people look younger than they are in real life, which everybody likes!)
The first was for LifeTime Asset Management in Raleigh, NC. They wanted their staff toasting the New Year at a party, so i first pencilled in a rough composition of the 9 figures raiding glasses.
I tightened that up and drew specific faces in, and the company logo on the balloons, for a better rough.
I printed off a copy of that & colored it in roughly for the color comp, which I sent them for approval.
Once I got the ok I traced the drawing onto illustration board and started painting it in – I snapped this photo below while I was still laying in the basic colors.
And here is the completed art, with celebratory confetti added in, which appeared on the front of their card.
The second New Years card was for Kohlhepp Investment Advisors here in PA. They are a family-run business and everyone has a great sense of humor – if you look at past Kohlhepp cards on my blog you’ll see they’ve had me draw the team in many funny, unique situations. This year did not disappoint – with the bullish economy they decided on the great concept of the whole team running with the bulls! I sent them two very rough sketches, asking if the two women in the firm want to be right in there with the bulls or not – they answered of course they do!
I tightened up the drawing –
and did a rough color sketch
They requested Ed Sr. to have a more active pose on the bull, so I changed that, then drew it on illustration board in prisma pencil, painted in acrylic washes, and added some dust clouds in chalk, for the finished art.
Every year the Philadelphia Sketch Club, historically the oldest club for artists in the country, holds a juried illustration exhibit, Phillustration. I am thrilled that one of mine was awarded second prize in the show this year.
The illustration I painted for Lodging Magazine, Office Churn, was among many other creative and colorful pieces in a show I highly recommend visiting. The exhibit runs thru November 24 and Sketch Club hours are Wed, Fri, Sat & Sun 1 PM – 5 PM and the venerable brick building that houses the Club is at 235 South Camac Street, Philadelphia PA. their website is http://sketchclub.org/ I also congratulate Joe Kulka, whose Smokey Bear art took top honors in the Advertising/ Institutional category. Sketch Club President Rich Harrington, a terrific illustrator in his own right, warmly welcomed the crowded room full of artists and emceed the reception with plenty of good humor.
My New Yorker cartoon was also accepted into the show, and I got to chat with John O’Brien, a creator of many many New Yorker cartoons and covers, at the reception, as well as Eric Fowler, the archivist at the Society of Illustrators in New York. A number of other Bucks County Illustrators Society members were accepted into this show, including Lauren Walsh, Joe DeVito, Joe Kulka, Piya and Christina Wannachaiwong (who also ‘exhibited’ their adorable new baby boy at the show), Mark Schaeffer and Dennis Wise. A few snapshots of our BCIS members’ work from the show:
My friend Roberta Fortune commissions me to do a caricature of her for practically every holiday that comes along, and she uses these illustrations to brand her events as The Spa Lady, wherein she helps clients relax their lives with essential oils, wellness products and yoga. I drew a black/white caricature of her recently and thought I’d post that and some of the previous holiday caricatures, which all show off her clever marketing and effusive and fun personality.
My recent drawing, showing her with some fragrant burning sage –
and some of the previous holiday-themed drawings (click to enlarge):
My most recent illustration for Lodging Magazine was for an article on how to interpret and tweak a hotel’s website statistics to convert more online viewers into customers.
This was assigned right before I left for a vacation, with finished art due right after I got back. I had to draw a very quick idea to get approved before I left; I thought of people reading a website and walking right through a door on the screen to go into the hotel, and luckily the editors approved.
I added the web technicians under the laptop, sliding around on those dollies that car mechanics use under cars, to indicate the tinkering that might go on to improve the site.
Because of the tight schedule I only had time to tighten up the drawing this weekend and go right to the finish – no color sketch this time, so I kept the colors to a limited palette.