I was asked to paint an old farmhouse, dating to the 1800s, using an old photo provided, since the house, while still existing and lived in, is much changed and renovated over the years. My client asked for the painting to be in sepia tone, to give it that nostalgic feel.
I used the photo reference exactly since there was no other information about the structure, and the photo was fairly good – a farmhouse along a horizon, with distinctive trees, a few outbuildings (we think they are an outhouse and springhouse) and a field in the foreground, giving it the feeling of a hand-built home plopped in the middle of a vast rural America – which this most likely was at the time. I started with a pencil drawing.
I did a rough tonal sketch by painting over a scan of this sketch in grays, then made it sepia with a click of a computer key, and the client approved it –
I took one photo while I was working on painting it on illustration board with acrylic paint washes –
And finished and delivered it yesterday for the client to frame. The only real change I made from the original photo was to add two birds flying low on the horizon – I think it’s always nice to show some life and movement in a landscape.
A Mother of the Bride asked me to draw the lovely exterior of her daughter’s wedding venue for the Save-the-Date card. The venue will be The VanLandingham Estate in Charlotte, NC, and it’s a stunning building. The client showed me several other samples of cards with venues drawn in simple line and I loved the classic, elegant look of them.
She sent me a perfect head-on photo of the building and I drew it first in pencil.
A graceful and dignified mansion, is it not? After the ok from the client I inked it in cleanly with black ink and sent it off.
Just a few days ago the Mother of the Bride sent me the finished card, beautifully printed on heavy rag paper. The letterpress printing was done by Scott McClelland, with assistance from Bo, at Paper Meets Press in Glenside, PA. Letterpress is a traditional printing technique that creates a relief of the type and image in the paper – you can feel the depression if you run your fingers across the text. Some of the impression is visible in the closeup below.
I think the finished card is a very stylish and appropriate look for what I’m sure will be an elegant wedding.
A friend commissioned me to paint her daughter’s adorable first home, as a gift and celebration of this milestone. I waited for a while so they could send me some photos of full trees and flowers blooming around the house – Vermont’s spring comes quite a bit later than it does here!
I started with a pencil sketch. My client also sent photos of her daughter’s cat, so I pencilled him in on the front porch.
After some more recent photos were sent I was able to add newly-planted flowers to the color sketch.
And after approval from my client I transferred the drawing to illustration board and painted it using a combination of prisma pencils and acrylic paint washes.
I was asked to paint a charming home built in the late 1800s in my hometown, a house that catches many an eye with its sunny coloring and delightful front gardens.
I took a number of photos for reference and consulted the owners about what season to paint. I tried pencil drawings of both summer and spring.
And then I tried rough color sketches of both seasons in colored marker.
We determined that spring gave both color and a good view of the house, since surrounding trees were still lacy enough to see through. I also put in the small figure watering the flowers, the lady of the house, to make it personalized.
For the finished painting I used watercolor board and acrylic paints diluted like watercolors. Here are two partial views –