I’ve drawn black and white gag cartoons for a number of businesses to create memorable chuckles for their clients – you can see more on my Business Illustrations page HERE.
The fellows who run the terrific illustration conference Artistacon, Chris Kotsakis and Shaun Stipick, are creating a video archive of illustrator interviews to continue their mission of inspiring and mentoring illustrative art. These video interviews are tied to their ArtistaList project, an helpful online directory of working illustrators. They have asked me to participate and so I’m very happy to announce that the three of us will do a Facebook live stream about my artwork tomorrow, Thursday May 28 starting at 10 a.m.; and another live interview following just after that one, at around 10:45 a.m. on Twitch. I hope you’ll join us! And as soon as it’s ready I’ll post a link to the recorded interview. Here’s the info:
“I call it: Dance of the Social Distancers.”
Click the arrow to animate.
I collaborated on this cartoon with my brother Bob:
If you know the history of cartoons in the New Yorker, you understand the callback here!
(c) Pat Achilles
New Yorker cartoonist Michael Maslin writes interesting and wide-ranging articles all about the cartoonists past and present of that iconic magazine on his blog Ink Spill. I wrote a bit about Ink Spill on a previous post here.
Michael is currently running a feature on his blog, ‘Cartoons in the Time of Coronavirus,’ and he has kindly posted my drawing of last week. If you need a chuckle during these trying times or are a fan of the art of the New Yorker as I have always been, please take a look. Also note the link in the left column of the blog page, “New Yorker Cartoonists A-Z” which lists every single cartoonist ever in the magazine and has bios of all the greats.
Many thanks to Michael, for this awesome compendium of the wit and urbanity of the New Yorker – again, I invite you all to check it out here.
(c) Pat Achilles
Just a note to my friends, I drew the Daily Cartoon on the New Yorker website today – you can see it here – https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-10th-school-fight
My cartoon below is not the one on the NYer site, but I add it in just for a chuckle.
Every year I design the poster for the Bucks County Gilbert & Sullivan Society’s musical comedy and this year’s June operetta is Gilbert & Sullivan’s The Sorcerer. I love the wacky plot of this show, which is about a sorcerer in Victorian England who is asked to create a love potion that an entire town partakes of, with chaotic and comic results. It strikes me as singularly funny that instead of a cauldron like Shakespeare’s witches brew their potions in, this very proper society sorcerer brews his in a porcelain pot of tea!
I was lucky to be at an early costume fitting for the actor playing the title role, so I took photos of him in costume for reference when drawing, and they even had the large teapot that will be his prop in the show. I knew the kind of pose I wanted for the figure and started with pencil sketches –
I put some rough color on the sketched figure and placed him on the poster page, with the text that will go around him, based on previous posters, and drew in the background roughly with a digital gradation, markers & colored pencils, to get a rough design of the page.
I refined my line drawing of the figure and did more detail on the digital color –
I worked on the title logotype next, to shape it around the sorcerer’s arm & umbrella. I used a fun typeface called “Island of Misfit Toys, ” although I played with the letter shapes a bit, stretching and adding some curls, to balance things out.
I drew the cloud emanating from the teapot digitally and put the figure in place –
and then dropped in the title logotype and added some more magical swashes and particles circling the Sorcerer and the cloud, for the finished art.
This promises to be a terrific show, by the way, I recommend everyone comes to see it! Tickets go on sale April 15, through the website.