My Poster Illustration for Bucks County Gilbert & Sullivan’s ‘The Mikado’

It’s the time of year when singers and musicians from all over Bucks County and the surrounding areas converge to rehearse and perform the unique musical confections that are Gilbert & Sullivan operettas. These musicals are unique in that their utter silliness combines so incomprehensibly well with some of the most lyrical arias and orchestra arrangements anywhere to be found. This season the Bucks County Gilbert & Sullivan Society has chosen to produce what is roundly considered to be their namesakes’ masterpiece, The Mikado. Set in an imaginary imperial Japan, it’s a whimsical, satirical, romantic and thoroughly British story – not to be taken for a tale of Japanese culture, because William Gilbert wrote it to perfectly skewer Victorian society, not the Japanese. And his plot is as improbable as it is enchanting.

I’m happy to have created the poster illustration for this beautiful show. I have always admired Japanese ukiyo-e woodblock prints, which have influenced Western art for centuries, and I based some of my palette and effects on that school of art, combined with colorful costumes that Bucks G&S already owns for the show.

Gilbert & Sullivan operettas are largely ensemble pieces; there are certainly main characters but part of the joy of the music comes from the chorus singing and reacting to the action in the plot. So I wanted to show many of the play’s characters in my Mikado art. I knew our stage set would include a small red arched bridge, so I researched ukiyo-e prints such as this one below of Shinkyo Bridge by Tsuchiya Koitsu, done in 1937. I thought a parade of people crossing such a bridge would be a fun way to show a lot of character types and costumes. I picked up some coloring and pattern from the traditional prints, also below, but still used my own cartoon style of drawing to project the comedy in the show.

My first pencil sketch was just shapes and gestures, but it roughed out the design. It occurred to me to put the young lovers in the story in a skiff under the bridge, even though this scene does not actually happen in the plot. But they do often hide their romance on the run, and depicting it this way makes a nice little wink against the chase scene of people on the bridge above.

I made rough sketches of many characters –

. . . and somewhere along the line I had the thought of putting our orchestra conductor in the chase scene too. Our orchestra is truly an fundamental part of the full G&S experience because the orchestrations accompanying the songs are incredibly beautiful. We attract about 40 excellent local instrumentalists for our shows, and they are so appreciated by our cast and audiences. So with our conductor in the chase scene I decided to put in a few instrumentalists as well! I think it accentuates the playfulness that’s a hallmark of G&S, and let’s everyone know our goal is to take nothing seriously in this play.

I tightened up the drawing of chosen characters, inked them by hand and scanned them to add digital color to the line drawing, like this

While I vaguely matched costume colors to existing costumes, I simplified my palette as did the ukiyo-e artists and applied colors flat, with no shading. I did the same with the background, working in pieces and then setting them up like my stage:

. . . and finally I put it all together into the finished poster.

Tickets have just gone on sale for Mikado and it should be a beautiful and funny production of this classic, which has been called “the most performed operetta in history.” See here for tickets and here for info on the show and Bucks Gilbert & Sullivan. I highly recommend this Mikado and our cast and orchestra of wonderfully talented characters!

‘Pirates of Penzance’ Opening Tonight

Tonight, June 14, the Bucks County Gilbert & Sullivan Society pirates take the stage, along with Major-General daughters and policemen, to perform a play 140 years old that still delights with its wit and soaring music.

I’m very happy to be involved behind the scenes while my husband takes his turn as Major-General Stanley, a part he imbues with genuine humor and sings with uncanny precision. My illustration for the show has served well for the poster, program cover, and in movie theater and newspaper ads.

it will be wonderful to see the show in full sail, with a magnificent orchestra, costumes, set, makeup and the million other details that support a community theater project. If any of you reading this are local, I utterly recommend the show for top-quality singing, and orchestral accompaniment. And the story’s a hoot too.

I’ll leave you with some photos of dress rehearsal, and if you want more info I’ve put a lot on the group’s website HERE. Tickets are still available at the door or thru BrownPaperTickets.




One of many fun email blasts I created for this wonderful & talented group!

Art in Progress for ‘Pirates of Penzance’

I’m buckling up the buccaneers for the Bucks County Gilbert & Sullivan Society‘s production of “The Pirates of Penzance” in June – here’s a detail of the panoply of characters in one of my all-time favorite shows –

I have yet to paint in the background and then plop it all into place with the information details below it.

This show is an operetta, which means it is mostly sung, but don’t let that put anyone off; it is a VERY funny show, in addition to having magnificent music. (And, my husband does a wonderful turn as the Major-General!) The cast of about 25 singers will be accompanied by the Bucks County Gilbert & Sullivan Orchestra, and the show performs Friday June 14 at 8 pm, Saturday June 15 at 2 and 8 pm and Sunday June 16 at 2 pm. The location is Delaware Valley University, 700 East Butler Avenue, Doylestown, in the Life Sciences Auditorium. Want to buy tickets early and save money over the price of tickets at the door? Just go HERE to order online.

My Gilbert & Sullivan Artwork

I’ve just completed designing the show program for the Bucks County Gilbert & Sullivan Society’s June production, Trial by Jury and More! This production is a melange of two comic operettas and some magnificent overtures and solos from Gilbert & Sullivan.

I’ve been pleased to paint the poster illustrations for a number of these G&S shows, which I then use on the program cover as well. It’s a pleasure to get to know the witty and comical characters in these operettas – and they are truly operettas, with some dialog but a lot of gloriously operatic sung music. I really recommend these shows for anyone who loves classical music and good theatrical humor.

1gilbertandsullivan_programcovers

My illustration for Trial by Jury and More includes the characters Mr. Cox, a hatter, and Mr. Box, a printer, who unwittingly occupy the same rented flat because one works all day and the other all night; they meet unexpectedly and both are furious with their landlord for double-dipping on the rent – until they discover they are, or were, also engaged to the same lady and neither wants to fulfill that contractual obligation! Also depicted in this cover are characters from Trial by Jury: Angelina, the tragicomically jilted bride, and the Judge, who is instantly smitten with her. Together these 1-act shows make up the operatic musical comedy Trial by Jury and More!  and it is set to open in two weeks, on Friday June 16 here in Doylestown – all info is on the website here.

With my art for HMS Pinafore I shoehorned the main characters into a tiny rowboat for comic effect: the gallant sailor Ralph Rackstraw kissing lovely Josephine and Captain Corcoran carrying his sunny Buttercup, with ornery Dick Deadeye paddling them through the waves and Sir Joseph admonishing them all to be quite polite. My husband played Sir Joseph in this show locally, and friends may see the resemblance in my rendering of him.

For Princess Ida I stood our stalwart princess front and center, and in the background her bastion for women, Castle Adamant. If you look closely you can see the brave fellows clumsily scaling the castle battlements – Hilarion, Cyril and Florian – who engage the theme of this battle-of-the-sexes play. For some elements of Castle Adamant I was inspired by the design of Marie Antoinette’s Hameau de la Reine, and you may notice I incorporated male-female symbols into the castle windows.

For the Patience illustration I painted sweet, sensible milkmaid Patience listening skeptically to the florid words of poet Bunthorne. (I enjoy that G&S often chose hilariously Dickensian character names.) Meanwhile the lovesick maidens of the village cling and swoon on Bunthorne, with even Lady Jane and her cello getting drawn into the undertow. There’s a lovely small magnolia tree in my neighborhood that I used for reference in the Patience art.

In all these illustrations I painted with acrylic paint on illustration board. If you’d like to see my sketches leading up to these paintings, I wrote about my process – Trial by Jury here, Pinafore here, Princess Ida here and Patience here. Leasing of my artwork for other productions is available, and inquiries can be made through my Contact page.

 

Painting Patience, part 1

I’m now illustrating the poster for the next Gilbert & Sullivan show to be performed by the Bucks County G&S Society in June: Patience.  Just started painting the finish, and I’ll show the work in various stages as it progresses.

patiencepartial1 The character of Patience is a milkmaid with a good head on her shoulders – not one of those young ladies who become infatuated with the latest fad or celebrity.  If you click on the art above, the sketch will enlarge a bit and you can see some of the pencil lines for the rest of the sketch.  As I paint in the others in the cast I’ll tell you about their characters as well – it’s a funny premise for a play, and actually correlates pretty well to some of today’s trends too.