A few more from a life drawing session of a model posing as Madonna and Child. The first is again chalk & conte crayon on toned pastel paper, the second is more a line drawing in prisma pencil on toned paper.
After I did rough color sketches for Laurie Nowlan’s entire book, I started transferring the drawings to illustration board and painting. I use prismacolor pencils to outline my characters and acrylic paint, thinned with water to the level of a wash, to paint the colors. You can get nice vibrant hues using acrylics, which brightened up the autumn pages at the beginning of the book.
This story follows two brother robins as they go on a southern migration to Florida, the twists and turns they encounter along the way, and how they help each other as siblings. They encounter a nasty storm, which knocks the younger brother, Robbie, for a loop.
The older brother, Ben, has trouble with one of his wings, and suddenly little Robbie is the sibling that has to look out for his older brother.
Robbie steels himself and finds the strength to get both himself and his brother out of danger.
And to see the sunny conclusion of the story, you’ll have to get the book!
Since the cover art is so critical to the appeal of a children’s book, the author and I went through several sketches of the cover illustration before we settled on the right scene and feel for it. We wanted Robbie alone on the cover, but did not want to give away too much of the climax of the story.
I envisioned Robbie swooping through the stormclouds with a determined, serious expression; and after discussion with Laurie we tried a more cheerful look and we both liked it better.
I did a color sketch and added some lightning to create a little more excitement –
and then painted the finished art.
“Robbie to the Rescue!” is available now through BookBaby HERE.
To read Part 1 of this process click HERE.
Once I had drawn all the pages of Laurie Nowlan’s Robbie to the Rescue! as pencil sketches, I scanned all the drawings and colored them in roughly so both the author and I could see the placement of color throughout the book.
Early on when Laurie and I discussed her main characters, we had decided there should be some little bits of clothing to humanize Robbie and his older brother Ben. Laurie liked having Ben wear a baseball cap, and perhaps big sneakers for Robbie, to make him look smaller and younger and maybe a little clumsier than his older brother. In initial sketches I had given them orange and red jackets, thinking they’d stand out in green foliage – then when I started doing pages I realized it was autumn in the story and the leaves would be those colors. So I switched their jackets to blue and green.
The story has a number of scenes that take place during a rainstorm so I tried to vary the spreads between pages that bled off the sides and vignettes where there was white space around the illustrations, as well as full double page spreads where it was warranted, to keep the scenes from looking too similar.
Laurie suggested that the storm scenes should stay very blue and gray, so that at the end of the story when there are beach scenes, the change to sunny warmth would really be apparent to the reader. I agree it worked really well.
After this stage I started painting finished art for the book. I’ll write more about that, and about developing the cover art, in Part 3.
“Robbie to the Rescue!” is available now through BookBaby HERE.
The Lenape Chamber Ensemble will again present a delightful concert for children in November, and I was asked to draw up a fun flyer advertising it. The concert features world-class musicians who talk to the children about patterns and themes in the music, bits about the lives of the composers, and their specific instruments; and then they play snippets of the featured compositions (they play the full versions of these pieces for two adult concerts around the same weekend). Sometimes the musicians invite the children to get up and dance in whatever way the music makes them feel. I love going to these concerts to see the little preschoolers and elementary school children’s reactions to these glorious pieces of music!
This Children’s Concert will feature works by Leclair, Telemann, Couperin, and Vivaldi; I researched the pieces to be played and the composers, and found that Vivaldi (nicknamed the ‘red priest’ because he was indeed a cleric who inherited his family trait of red hair) was born in Venice. I’ve also been listening lately to Gilbert & Sullivan’s operetta The Gondoliers, which takes places in Venice, so I decided to use that picturesque city as the backdrop for my illustration for this poster.
I researched pictures of gondolas and some landmarks in Venice, like the Rialto Bridge and the domed basilicas, and roughed out a pencil sketch of a little clutch of musical rabbits floating along in a canal –
The layout of my flyers for the Lenape Children’s Concerts is always similar, as you can see from this one and this one – they like me to hand-letter the text, so I plan the drawing around where the words will fall. I traced this pencil sketch onto bond paper using my lightbox, and inked in all the details using Faber-Castell Pitt pens.
I highly recommend the Lenape Chamber Ensemble concerts – both the children’s and the adult ones – the lovely auditorium at Delaware Valley University is just the perfect intimate size to enjoy these wonderful artists playing gorgeous music.
My latest illustration for Lodging Magazine is for an article about hotels keeping their dining areas germ-free. It delves into some of the nastier problems that hotel managers have to deal with – foodborne illnesses, sanitation laws and damage control responses. Not a lot of pretty images came to mind for my illustration, so I decided to go wacky with it.
The article begins by stating how people often like to get away to hotels where there are lovely bucolic scenes out the window, cows grazing and sheep frolicking nearby – but the visitors don’t realize that the flies around livestock are one of the most common ways for germs to spread. While flies buzzing around a dining area seemed off-putting to me, I thought some barnyard animals would be funnier and less openly icky. I sketched a cow and sheep in line at a hotel breakfast buffet.
Whenever I’ve been at a hotel for breakfast, the most entertaining thing is watching people use the waffle machine, so I drew the cow using that. The editor asked me to include a bowl of apples in the drawing, since the article’s title is ‘Bad Apples.’ She approved the sketch so I painted it – acrylic paints, prisma pencil on illustration board.
My newest illustration assignment for Lodging Magazine accompanies an article aimed at developers in the hospitality industry, about some key points to keep in mind when choosing locations for new hotel.
The article explains that many chains realize the value of bringing hotels to college towns, since the football season brings so many out-of-towners that need accommodations; but there are other considerations before the developer should seal the deal, which the article describes more in depth. For the illustration I pitched a few ideas to the editor, involving cheerleaders, graduates in caps and gowns, and college fairs. Then I was talking to my son Tom, who does improv comedy several nights a week in NYC at Reckless Theatre, about the topic and asked him if there was some funnier angle to it – and he quickly hit on the best image of all – college football team mascots.
When I suggested this to the editor she immediately liked it, so I got onto the sketch. I googled images of college mascots and chose several that looked distinctly different, then sketched them barging into a hotel developers’ office, begging her to pick their town.
and a color markered sketch, where I added in a pennant & megaphone to reinforce the college idea:
The editor approved it with a few gestural changes, and so I painted the final:
I sincerely thank my son for his idea! By doing improv he has developed skills that lead him to generate really fast, funny, visual scenarios!
My latest illustration for hospitality industry magazine Lodging involved one of those vague ideas that’s a bit hard to picture at first: delegating. The editor sent me parts of the article but it was not complete – it explained how hotels should focus foremost on their ‘hoteling’ responsibilities (great service and amenities for their customers) and hand off lesser duties if at all possible to businesses that specialize in those particular services. This delegating can help hotels accomplish key tasks without overwhelming their current systems and still providing excellent customer service.
I jotted down a few metaphors for delegating and sent them to the editor: I thought of a traffic cop directing traffic in a hotel lobby; a truck driver unloading packages to waiting deliverymen; and a football coach explaining a play to the team. The editor liked the football idea, so I sketched it out roughly.
The editor approve this and suggested a few more props in the hands of the players, and to have everyone in golf shirts instead of padding, which I added in the color marker sketch.
This met with approval, so I traced the drawing onto illustration board and drew it in prisma pencil, then painted with acrylic paints, watered down to washes. The finished art:
My monthly illustration for Lodging Magazine was for an article about ‘data mining’ – how those in the hospitality industry can learn to better track and interpret social media referring to their brand, in order to improve their services to their targeted audiences. I pitched a few written ideas to the editor, involving visual imagery of hunting down information, and she liked one with miners in a cave.
I’m certainly no expert on mining procedures so I researched photos online to see uniforms and props. I sketched a very loose pencil rough of coworkers finding gold among the rocks, with one worker recording the info on a laptop –
and then tightened it up before sending it in, adding the good & bad social media topics the editor suggested –
After approval I did a quick color pencil sketch to work from for the finish, then retraced it on illustration board and started painting.
The finished art:
For a possible children’s book – don’t know her name yet, but she posed very sweetly for a photo in a cold, far away European city. This is painted with watercolor on heavy cold-press watercolor paper.