“I call it: Dance of the Social Distancers.”
Click the arrow to animate.
(c) Pat Achilles
(c) Pat Achilles
Just a note to my friends, I drew the Daily Cartoon on the New Yorker website today – you can see it here – https://www.newyorker.com/cartoons/daily-cartoon/tuesday-march-10th-school-fight
My cartoon below is not the one on the NYer site, but I add it in just for a chuckle.
UPDATE: My cartoons for the New Yorker can be seen here: https://condenaststore.com/art/pat+achilles
I posted about my cartoon being published in the New Yorker Caption Contest last week, and now anyone can vote for the best among the many caption submissions they received. You can click HERE to go to the voting page, and as it scrolls through the captions you can rate each as Not Funny, Somewhat Funny, or Funny. When you have scrolled through enough cations, you click on Done.
I warn you, there are a LOT of submissions, but if you leave the tab open on your screen you can come back to it later and continue rating more captions. Interestingly, I found that many caption writers came up with similar jokes, even similar phrasing. There are others that use rather unique wording or twists, and those seemed to stand out.
I believe voting on this stage closes on Sunday, then this contest moves to the next stage – next week the cartoon will appear with the top three captions underneath, and you can again vote for what you feel is the funniest of the three contenders.
I’ll leave you today with another of my cartoons – again, this one has a caption written by my dear dad, one of the funniest writers I ever knew.
I’m very pleased to say, my second cartoon is being published this week by the New Yorker, for their legendary Caption Contest! At the moment it is online, but my cartoon will be published in the June 10 issue, on the last page inside the magazine. You can see it now right HERE.
Anyone can submit a caption for this contest, so please go ahead and enter! The directions for submitting are linked on the Contest page.
As I wrote when my first cartoon was published, the New Yorker loomed large in my wonderful relationship with my father, who was also a cartoonist, and who always encouraged me in my art. He grew up during the Depression in Allentown, PA, a second-generation American, and saw the New Yorker as the embodiment of the wit, sophistication and insight of the country’s best writers and illustrators. I just know he is doing a little dance up in Heaven now.
I can’t let this post go by without including a cartoon, so here’s one I drew when my Dad was alive, using one of his captions.
The latest article given to me by the editor of Lodging Magazine involves manager tips for making a workplace a good environment for employee mental health. The key was offering support to workers in terms of acknowledging outstanding work, explaining employee goals in a clear way and setting an example for employees to model. I came up with an arched bridge as being the means of support, with the recommended action points spelled out on the pillars.
First I drew a pencil sketch with loose tones blocked in –
With the idea approved, I traced the drawing onto illustration board, outlined in prisma pencil and painted it with acrylic washes, using the sketch as reference to keep the values consistent.
Meal kits are very popular right now, especially among young couples in big cities – they are a subscription service that delivers a fully-stocked box full of raw food to your door in a refrigerated container, with instructions on how to cook all the ingredients into a delicious, almost gourmet dinner for two. And if the recipe calls for one stalk of celery, that’s exactly what they provide – one stalk, in a clear plastic sleeve, so there’s no scrap left. What, though, can be done with all the packaging that’s leftover? Well, since spring is just around the corner, I propose . . .
#gardening #mealkit #illustration #cartoon #containergarden #modernlife #urbangardening
Illustration and text (c) Pat Achilles
I’ve been drawing cartoons related to Thanksgiving for a number of years for Proactive Performance, often about turkeys, sometimes Pilgrims, but always with some touch of business jargon involved. This past Thanksgiving was no exception, as I moved from the first quick sketch –
to a tighter version –
to the finished cartoon for the card, painted in the classic black and white New Yorker style. Inside the card, Proactive Performance President Jim Shute thanks his clients, associates and colleagues for their business and wishes them the best for the holidays. I always enjoy doing Jim’s card since it blends humor with its sincere goodwill.